19 November 2016
British Bard-Song! A Shakespearean Pageant of Voices
Performers: Cambridge Timeline Choir and Juice Vocal Ensemble
Workshop: 5:30–6:30 pm, Concert: 7:30pm – 9:30 pm
Venue: Emmanuel United Reformed Church, Trumpington St., Cambridge
26 November 2016
Performers: Leith Hill Timeline Choir and Juice Vocal Ensemble
Workshop: 5:30–6:30 pm, Concert: 7:30pm – 9:30 pm
Venue: St. Martin’s Church, Dorking, Surrey
THE SOUND OF THE FOLIO: Shakespeare’s Original Pronunciation
September 15, 2016 — a 90-minute presentation at the University of Connecticut in conjunction with a 1-month residency of an original First Folio, curtesy of the Folger Shakespeare Library. David Alan Stern, along with several UCONN colleagues and students, discussed the recent movement to perform Shakespeare in the reconstructed Early Modern English accent, aka Original Pronunciation. They described the phonology of the accent, the kinds of linguistic research used to explore it, the work of linguist David Crystal and actor/director Ben Crystal in researching the accent and bringing it to the stage, and the history of OP productions since the Romeo and Juliet at Shakespeare’s Globe in 2004. The presentation included live OP performances by participants (including Nathan Markiewitz, co-director with Ben Crystal of OP Pericles), video excerpts from several OP productions, and recorded audio and/or video appearances by David Crystal, Ben Crystal, Paul Meier (director of the Midsummer Night’s Dream at U of Kansas), Tom Delise (director of Merchant of Venice at Baltimore Shakespeare Factory), and William Sutton (sonnet specialist and member of Ben Crystal’s PIP Shakespeare ensemble).
Master Henslowe’s Diary in OP, an imaginative presentation by Ben Crystal and Passion in Practice, based on a play written by David Crystal (available in the Books and Articles section of David Crystal’s website): Shakespeare’s Globe, Thursday 26 May, 7 pm. Followed by a Q & A session.
Marlowe’s Dr Faustus in OP, presented by Ben Crystal’s Passion in Practice company: Shakespeare’s Globe, Sunday 22 May, 4 pm. Followed by a Q & A session.
At home, in Her chambers, Her mantel removed and withdrawn in Her nightwear, with Her musicke, Her wordes and Her teares, we join Her Majesty and Her writings with songes and musicke for the Virginalles in a remarkable spoken, sung and played programme of Dowland, Byrd, Morely and Gibbons with the readings in original pronunciation of Shakespeare sonnets and the poems and writings of Her Majesty Elizabeth Regina of England and His Majesty James VI Rex of Scotland, in costume and leaden painted visage.
Performed by the EGG Ensemble: 17 March 2016 8 pm, Luftraum, Maienstraße 4, 10787 Berlin, U-Bahnhof Nollendorfplatz, Tel: 030 211 58 90; 5 May 2016, 8 pm, Kammermusiksaal Havelschlösschen, Waldmüllerstr. 3, Potsdam Klein Glienicke,Reservations: 0331 7481496 ; 22 May 2016, 5 pm, Schlosskirche Köpenick, Alt-Köpenick 1, 12557 Berlin
King Lear, directed by Murray McGibbon. Wells-Metz Theatre, Indiana University, May 5, 6 at 7.30 pm, May 7 at 2.00 and 7.30 pm, May 8 at 2.00 pm. Reviewed by Terri Bourus here.
Interview with David Crystal on OP in Exeunt magazine, 5 May 2016: here.
Pericles: Recomposed, with Ben Crystal’s Passion in Practice Shakespeare Ensemble and L’Arte del Mondo with Daniel Hope. Tuesday April 5, 6.00 pm, Savannah Music Festival, Lucas Theatre for the Arts.
Baltimore Shakespeare Factory’s production of The Winter’s Tale. Directed by James Keegan. Fridays (8 pm), Saturdays (8 pm), and Sundays (4 pm) from April 1-24 at St. Mary’s Community Center, 3900 Roland Avenue, Baltimore, Maryland 21211.
The Oxford Dictionary of Shakespearean Pronunciation, by David Crystal, published by Oxford University Press on 24 March 2016, with an associated audio file.
Henry V in OP for Shakespeare’s Globe, in the Read Not Dead series, with Ben Crystal’s Passion in Practice Shakespeare ensemble, Sunday 26 July 2015 at 16.00. Preceded by an illustrated lecture by David Crystal with the Ensemble on Thursday 16 July at 19.00. Also at The Loft, 47/49 Tanner Street, London SE1 3PL, 3-5 August 2015.
Scenes from As You Like It in OP. Narrated by Jennifer Geizhals, directed by Louis Scheeder and Daniel Spector. Wed and Thurs, 29/30 July 2015, 7pm, the Circus Room on the 5th Floor at 721 Broadway, New York City.
The Merchant of Venice in OP, directed by Tom Delise, various dates between 27 March and 25 April 2015, Baltimore Shakespeare Factory.
John Donne’s poem An Epithalamion, or Marriage Song On the Lady Elizabeth and Count Palatine Being Married on St. Valentine’s Day and his A Nocturnal upon St. Lucy’s Day read by scholar and author Seth Lerer in OP, with songs by Campion, Dowland and others sung by Hallie Fishel with John Edwards on Renaissance lutes. 8pm, 7 March 2015, Heliconian Hall, 35 Hazelton Ave, Toronto.
Pericles in OP, Berwaldhallen, Stockholm, 29 January 2015 at 18.00, with Ben Crystal’s Shakespeare Ensemble and music (Richter’s Four Seasons Recovered) by the Trondheim Soloists, with violin soloist Daniel Hope; introductory talk by David Crystal. Part of the Interplay series. Panel discussion followed. The performance was critically acclaimed in the Swedish press, such as this one from Dagens Nyheter:
Louie Woodall was there to write a series of reports for The Shaksepeare Standard:
Twelfth Night in OP, Classical Actors Ensemble, Minneapolis, MN, 1-23 November 2014. See here.
Julius Caesar in Original Pronunciation, presented at the Edinburgh Fringe, 3-9 August 2014, 16.10 pm, Gryphon@WestEnd (Venue 109), University of Houston-Downtown, University Theatre, 85-min version.
A series introducing OP in the Sam Wanamaker Playhouse at Shakespeare’s Globe on the 10th, 17th, and 20th July 2014. David and Ben Crystal presented two illustrated talks, with members of Ben’s company, Passion in Practice, and the series concluded with a production of Macbeth in OP. For some reflections and pictures, see
Ben Crystal’s company, Passion in Practice, is here .
David and Ben Crystal, OP talk at the Shakespeare Institute Summer School, Stratford upon Avon, 15 August 2013; also at the Cheltenham Literary Festival, 10 October 2013.
The video itself can be seen on YouTube here .
Live stream of OP seminar with Tim Carroll and Paul Meier from the Stratford (Canada) Festival, Saturday Jun 1, 2013 9:45am — 1:00pm EDT. See the link
Lecture by Dean Hoffman, ‘Materialism, Mimetics and Monophony: Novelistic Discourse in the Sloane Life of Robin Hood’. International Congress on Medieval Studies, Western Michigan University, May 2013. Also: ‘”It is our maner to leave but a little behind”: Speech-Act and Real Time in Performance of the Sloane Life of Robin Hood’. International Medieval Congress, Leeds (UK) July 2013.
As You Like It, OP performance by ROSTRA at Bangor University, Wales, 19-21 April 2013, viewable here.
Macbeth OP, directed by Hamilton Meadows, American Theatre of Actors, 314 W 54th St, New York City, 1-24 February 2013.
Katherine Twaddle, opera studies coordinator at Desautels Faculty of Music, University of Manitoba, rehearsing (January 2013) for a performance of Act 2 Scene 1 of Purcell’s ‘Dido and Aeneas’ in OP.
‘First Contact’, exhibition opening 23 September 2012 at the Fisher Museum, Harvard Forest, 324 North Main Street, Petersham, MA; trailer by Roberto Mighty.
Virtual St Paul’s Cross Project, digital recreation of a day’s worship, including an OP John Donne sermon (1623), read by Ben Crystal, directed by John Wall, 2011-12. Progress reported here.
The Life of Robin Hood (c1600), in a text taken from the British Library’s Sloane Manuscript #780, narrated in OP by University of North Carolina-Charlotte professor and author, Dean Hoffman; performed 3 October 2012 at the basilica of Belmont Abbey College, near Charlotte, North Carolina, by Carolina Pro Musica for the 2011-2012 Arts at the Abbey season, featuring 17th century dances and ballads composed by Morley, Ravenscroft, Holborne, Weelkes and others. Video clips from a perfprmance at St Martin’s Episcopal Church, Charlotte: here and here.
Cymbeline, directed by Chris Coleman, by Portland Center Stage, at the Ellen Bye Studio, 128 NW Eleventh Avenue, Portland, Oregon 97209, January 31 – April 8 2012
‘Shakespeare’s Original Pronunciation’, CD of extracts from the British Library, March 2012: for information look here
Twelfth Night, directed by Hamilton Meadows, at the American Theatre of Actors, Chernunchin Theatre, 314 W 54th St, New York, NY 10019, February 15-19 2012
Hamlet, University of Nevada Repertory Company, directed by Rob Gander, dramaturge Eric Rasmussen, artist in residence Ben Crystal, 1-20 November 2011
Selection from the York Mystery Plays , 7 July 2011, Sylvia Reuter, Institut für Anglistik, University of Leipzig
William Byrd ‘s Great Service, recorded by Musica Contexta, May 2011, directed by Simon Raven; available 2012 from Chandos (CHAN 0789)
Shakespeare in Clark Park, extracts directed by Alex Torra, Philadelphia, 2 May 2011
A Midsummer Night’s Dream, University of Kansas, directed by Paul Meier, 11-21 November 2010; audio production aired on Kansas Public Radio 12 April 2012; an mp3 download of the radio production is available from here; DVD available from Films for the Humanities here
Concert of songs from Middle English to Modern English, Sylvia Reuter, 25 June 2010, Institut für Anglistik, University of Leipzig
Twelfth Night, Circle in the Square Theatre School, New York, directed by Edward Berkeley, 6-7 June 2010
As I Pronounced It To You: Shakespeare as it Originally Sounded, extracts directed by Alex Torra, 14 August 2007, Playwright Tavern, New York
Two actors from the Troilus company add a commentary in OP on this CD produced by Shakespeare’s Globe
Troilus and Cressida, Shakespeare’s Globe, directed by Giles Block, Wednesdays 24 August – 28 September 2005
Romeo and Juliet, Shakespeare’s Globe, directed by Tim Carroll, 25-7 June 2004